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| | Hindustani language - Wikipedia, the free encyclopedia |
 | | This meaning is reflected in the use of the term "bazaar Hindustani," in other words, the language of the street or the marketplace, as opposed to the perceived refinement of formal Hindi, Urdu, or even Sanskrit. | | | One might reasonably assume that the language spoken in Lucknow, Uttar Pradesh (known for its beautiful usage of Urdu) and Benares (a holy city for Hindus and thus using highly Sanskritized Hindi) is somewhat different. | | | A common vernacular sharing characteristics with Urdu, Sanskritized Hindi, and regional Hindi, Hindustani is more commonly used as a vernacular than highly Arabicized/Persianized Urdu or highly Sanskritized Hindi. |
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http://www.wikipedia.org/wiki/Hindustani_languages
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| | Hindustani classical music - Wikipedia, the free encyclopedia |
| | Alongside the sitar in popularity are the bansuri (a sort of flute), whose greatest player is Pandit Hariprasad Chaurasia, and sarod, known among fans through the recordings of virtuosos Ustad Ali Akbar Khan and Ustad Amjad Ali Khan. | | | Some of the best known vocalists are Pandit Jasraj, Bhimsen Joshi, and Ustad Bade Ghulam Ali Khan. | | | This helped spur the fusion of Hindu and Muslim ideas to make qawwali and khayal. |
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http://en.wikipedia.org/wiki/Hindustani_classical_music
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| | [No title] |
| | Hindustani is much older form than Hindi or Urdu and many times it referred rather to the region and not so much to the race or religion. | | | The general perception is that Hindustani and its earlier forms evolved out of interaction, since 11th century AD, between Muslim invaders, rulers, traders and religious men and others who had come and settled in Hindustan from the north-west and the local Indian population. | | | Thus both in the beginning of the evolution of Hindustani in the North and later in its further development in Deccan, a majority of the elite was of Turkic origin who while using Persian for administration must have used Turkish at inter-personal level and thus helped continue evolution of Hindustani in its various forms. |
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http://www.cs.colostate.edu/~malaiya/turkish.html
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| | The Hindustani Language - Greatest Islamic Language of the World |
| | The Hindustani Language, also known as Hindi in short, is the thrid most widely used language in the world and the most widely spoken Islamicate language. | | | The first author who wrote in this language, the Dante of Muhammedan India, is one Masud, who died a little more than a century after the death of King Mahmud (525AH=1131 AD), cf A.Springer, `Catalogue of the Arabic, Persian and Hindustani manuscripts of the libraries of the King of Oudh' Calc.1854 pp.407,485. | | | This class of men spoke and wrote Hindi (of course with Arabic characters) and Persian (perhaps also Turkish, as this language prevailed in the army), and it is probably in these circles that we must look for the origin of Urdu or Hindustani. |
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http://www.geocities.com/Athens/Ithaca/1335/Lang/hndy_lg.html
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| | pannagaSayana's hindustani music page |
| | And, Puttaraja Gawai is a chosen disciple of the doyen and the earliest of the masters - Panchakshari 'Gawai'. | | | He is the disciple of the great Puttaraja 'Gawai', who is an acclaimed master of both the Hindustani and Carnatic styles. | | | As I was mentioning, I was initiated into the beautiful world of hindustani classical music by my guru Sangeetha Kalarathna Pandit R.V. Seshadri 'Gawai'. |
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http://vmnagaraj.tripod.com
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| | Hindustani Music Web Links |
| | You cannot live through it without falling into frustration and cynicism unless you have before you a great idea which raises you above personal misery, above weakness In this world of sin and sorrow there is always something to be thankful for; as for me, I rejoice that I am not a Republican. | | | Stick to one thing until you get there. | | | -- Giraudoux Hindustani I dislike arguments of any kind. |
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http://www.searchmusicnetwork.com/Styles_Classical_Indian_Hindustani.html
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| | From Hindustani to Hindi |
| | Slowly there developed a ‘Hindustani’ poetry, based on Hindustani language which used words from Arabic and Persian and was written in Perso-Arabic script. | | | Against this stand of two different languages two of India’s notable leaders, Jawaharlal Nehru and Mahatma Gandhi, supported the idea of one Hindustani language which could be written in both forms. | | | This language and its script were based on an ancient Indian language called Sanskrit. |
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http://adaniel.tripod.com/hindustani.htm
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| | MusicalNirvana - Hindustani |
| | Before independence (and division of the sub continent), Hindustani was equally strong in present day Pakistan and Bangladesh, though the tradition has weakened in the last half a century in those coutries. | | | Carnatic tradition is mainly found in the four southern states of Karnataka, Andhra Pradesh, Tamil Nadu and Kerala. | | | Hindustani tradition extends all the way from Kashmir in the north, Punjab in the west to Bengal / Assam in the east, Maharashtra / north Karnataka in the south. |
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http://www.musicalnirvana.com/hindustani/hindustani.html
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| | SkyscraperCity Forums - Hyderabad's modern cityscape |
| | Last edited by Hindustani : October 17th, 2004 at 08:32 PM. | | | Last edited by Hindustani : October 18th, 2004 at 04:20 PM. | | | Last edited by Hindustani : October 19th, 2004 at 06:50 PM. |
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http://www.skyscrapercity.com/showthread.php?p=2482051
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| | CATHOLIC ENCYCLOPEDIA: India |
| | The lingua franca of the country is Hindustani, or Urdu, a mixture of Hindi with Persian and Arabic words, and written in the Arabic or in the Devanagiri character -- its prevalence being due to the Mogul domination. | | | Their first step was to translate the Bible into Tamil, and afterwards into Hindustani. | | | The historical vicissitudes of India have been likened to the waves of the ocean flowing into a shallow bay, one following after another and each obliterating wholly or partially the effects of the preceding. |
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http://www.newadvent.org/cathen/07722a.htm
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| | Teachers and Performers of Indian Music and Dance |
| | Deepak on the advise of Ustad Amjad Ali Khan, sarod legand came on tabla at the age of six. | | | Info: I learnt Dhrupada from Dr. Ritwik Sanyal, a disciple of Ustad Zia Fariddudin and Zia Mohiuddin Dagar. | | | Address: A 1 Saikrupa Society, Babhai, Borivali west, Mumbai 400091. |
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http://www.chandrakantha.com/teachers
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| | Indian classical music,hindustani classical music,carnatic music,semi-classical music |
| | There are ten Thaats under which most of the Hindustani ragas can be catagorised. | | | This was later enhanced by the Muslim influence and this musical bifurcation was described for the first time as Hindustani and Carnatic music by Haripaladeva in his text the 'Sangeetsudhakara' (1309-1312 AD). | | | Hindustani music is prevalent all over India except in the Southern States, where Carnatic music is practiced. |
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http://www.itcsra.org/sra_faq_index.html
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| | ITC SRA - Indian Classical Music, Indian Music School |
| | The future of Hindustani classical music has always resided with the next generation, with the guru passing on his knowledge to his disciple. | | | Its origins can be traced back through the centuries to the Vedic period two thousand years ago... | | | The gradual disappearance of this form of support led to a dilution of musical traditions and values. |
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http://www.itcsra.org/sra_index/sra_index.html
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| | Deepa Ranganath : Hindustani classical music vocalist: empanelled artiste of the ICCR |
| | It was a dream come true for Deepa when she passed the traditional 'audition' that the Gurus took and she was formally intiated into their school of Hindustani Classical Music in 1993. | | | Another important and distinctive characteristic of her style is that she has been trained in semi-classical aspects of Hindustani music like Thumri or Bhajans besides 'Khayal singing. | | | Deepa, like other students of her distinguished Gurus, is encouraged to be individualistic and innovative to the extent that she has developed a style that is not only uniquely inspired but also has something new and totally hers. |
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http://education.vsnl.com/iccr/deeparanganath.htm
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| | Indian Music: Hindustani |
| | Speaking of gharanas, Tansen is the founding father of the Hindustani tradition. | | | The dhrupad was the key form of music at the beginning of the Hindustani tradition (c. | | | Onstage, the soloist sits at the center, while the tabla player sits to his right and the melodic accompanist to the left. |
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http://www.trincoll.edu/~mrao/music/hindustani.html
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| | Folkmusik - Asia |
| | The North Indian style is known as "Hindustani", while the South Indian tradition is referred to as "Carnatic". | | | This page deals mainly with Hindustani Classical Music, about which I know a little bit. | | | The form of presentation may however vary between the two systems, as well as from one gharana (family) to another in the former system. |
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http://www.visarkiv.se/links/Folk_Asien.htm
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| | India Musica - Hindustani music |
| | It traces, in simple and clear style, the evolution of Indian music from its ritualistic and devotional use to the emergence of khayal - a style that marked the blending of the Indian and Persian styles... | | | It takes the listener on a journey from the mystical and divine origins of Indian music to its contemporary form. | | | This title on North Indian Classical music, commonly known as Hindustani classical music, has a subliminal quality. |
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http://www.specialitysoftware.com/imusica/media
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| | School of Music Faculty - RAJEEV TARANATH, Sarod |
| | He is a distinguished disciple of Maestro Ali Akbar Khan and has also received guidance from Pandit Ravi Shankar and Shrimati Annapurna Devi. | | | Internationally acclaimed performer and award-winning composer, Rajeev Taranath is today one of the world's leading exponents of the sarod, the richly textured Indian classical instrument which is an ancestor of the lute. | | | He had been trained by his father Pandit Taranath and other eminent musicians and was a concert and radio artist before he was twenty. |
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http://music.calarts.edu/faculty/rtaranath.html
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| | Search Results for Hindustani - Encyclopædia Britannica |
| | Includes short notes on the cast and crew. | | | Khya dances date from the 16th century and use themes taken from folklore and legend. | | | The Nicobarese probably descend from both Malay and Myanmar (Mon or Talaing) peoples. |
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http://www.britannica.com/search?query=Hindustani&submit=Find&source=MWTEXT
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| | Patrick Moutal's Indian Music Page |
| | The answers will be found on a separate page. | | | The study of raga forms is the backbone of Hindustani Raga Sangeet. | | | Browsing throught the many tables of contents of these works (often in several volumes or parts) in order to extract required information, is a time consuming activity and Moutal's book, although non-exhaustive, will be a tremendous time-saver for consultation. |
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http://homepage.mac.com/patrickmoutal/macmoutal/rag.html
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| | Medley! |
| | Thakur, Dav - Daiviya Sangeet - personal site containing lots of information on Hindustani Classical Music, Bhajans, and Hindu Scripture. | | | classical - Hindustani and Carnatic Indian classical music. | | | Beginner's Guide to North Indian Classical Music - includes fundamental concepts of Hindustani music, typical vocal and instrumental performances, instruments, and other resources. |
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http://business.vsnl.com/cyberquest/music.htm
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| | Rahul says no to Thackeray’s Hindustani bride |
| | "I shall definitely consider the recommendation of Thackarey," Rahul quipped when pointed out that the Sena supremo had said that he would look for a 'Hindustani bride' for him. | | | He, however, replied with an emphatic no when asked whether he would be 'seeing' the girl recommended by Thackerey. | | | Amethi, November 9: Hitting back at Bal Thackarey, the Congress MP Rahul Gandhi on Tuesday said that the Sena supremo should concentrate on 'doing something' for Maharashtra instead of looking for a bride for him. |
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http://www.expressindia.com/fullstory.php?newsid=38241
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| | Cultural Heritage |
| | Ghazals are Urdu love lyrics spiritual and temporal, whereas quawwalis, also sung in Urdu are religious songs in the Sufi tradition. | | | Carnatic music is more obviously religious than Hindustani. | | | The development of two distinct streams is usually attributed to the fact that northern India absorbed the impact of Muslim rule in its culture, as is betrayed in the fact that Hindustani is a Persian word (used for those of the land of the river Sindhu or Indus) while South India did not. |
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http://www.journeymart.com/Dexplorer/AsiaIS/India/culturalheritage/music.asp
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| | HINDUSTANI LANGUAGE COMMUNITY |
| | The language of the Indian cinema from Bollywood, is Hindustani. | | | It is therefore important to understand the substance, influence and universality of Hindustani, given that it is the "lingua franca." or language that brings the entire South Asian community together, and is understood by Indians and Pakistanis from all regions of the Sub-Continent. | | | The Hindustani language is to South Asians what English is to the rest of the world. |
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http://www.radioindia.net/comm/hindustani.html
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| | hindustani music,hindustani classical music,hindustani music online,hindustani music download,hindustani classical ... |
| | It can, however, be observed that the lyrics of songs are not in Urdu but in Hindi or Braj Basha and they speak of the deeds of Gods Krishna and Radha, Siva and Parvati or Rama and Sita. | | | Well-known instruments such as Sarod, Sitar and Tabla; musical forms like Khayal, Thumri, Dadra and Tarana; Ragas such as Peelu, Yaman, Pahadi, Sindubhairavi etc seem to be the result of intercultural exchange between Persian and Arabic rulers in the past, viz. | | | The main architect of the existing system of Hindustani music was Pandit V N Bhatkhande, who was responsible for the classification of the Ragas into the 10 Thats. |
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http://www.india4world.com/indian-celebrities/Indian-Music
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| | Gujarat and Indian Music |
| | Sohini, Bhilaval, Saurashtra Tanka are some of the other ragas in Hindustani music which one their origin to Gujarat. | | | This great son of Gujarat had devoted his lifetime to the propogation of Hindustani classical music, not only in Gujarat but throughout India. | | | Kambavati, a very popular melody of our times must have had its origin in the city of Cambay, the Hindu name for which was Khambavati, present day Khambhat. |
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http://www.gujaratonline.com/arts/music.htm
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| | Clissical Indian Music - Hindustani Music |
| | Hindustani music makes a clear distinction between the open form (anibaddha) marked by the absence of definite parts and rhythmic accompaniment and the closed form (nibaddha) that has a clear-cut beginning and end, and a definite rhythm. | | | The rules and the concepts governing thãts and the raga form are derived from his works. | | | It came under the patronage of the feudal lords, surfacing in the Mughal courts under Bahadur Shah the First (1707-1712) and later Mohammad Shah 'Rangila' (1719-1748). |
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http://www.indiaheritage.com/perform/music/m-c-h.htm
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| | Globalization and Indian Classical Music: The North American Scene |
| | Rajan Parrikar, who in his own style, has written several articles on Hindustani Raga Sangeet. | | | As far as HCM is concerned there are a few who understand the fine points of Hindustani classical music, and there are others who perform at the professional level. | | | At the request of the Festival of India Committee, this became a joint effort between the Indian Council for Cultural Relations (ICCR) of India, the ITC-SRA and the University of Pittsburgh. |
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http://www.sawf.org/newedit/edit09162002/gcolumn.asp
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| | [No title] |
| | Over time also, the question of which influenced which became a chicken-and-egg issue. | | | For example, was the Hindustani raga Yaman-Kalyan introduced from the Persian Iman by the Turkish genius Amir Khusrau? | | | In spite of criticism leveled at the inadequacy of his system, Bhatkhande*s Thaats have come to stay. |
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http://minchu.ee.iisc.ernet.in/mirror/icm/ch.txt
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| | Indian Classical Music |
| | Hindustani music is the music of North India, involving both Hindu and Muslim musicians. | | | The style with which most readers will be more familiar is the more modern style, especially as represented in the Hindustani instrumental (sitar, etc.) list above. | | | In this case, I am only going to list some discs I particularly enjoy without any intention of coming close to encyclopedic coverage. |
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http://www.medieval.org/music/world/india.html
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| | Toronto Gharana |
| | It is clearly not possible to treat all aspects of Hindustani music here so we have chosen to keep the focus personal and concentrate on the artists and music that have touched us directly. | | | They have received talim from some of the greatest musicians and dancers of this century. | | | The use of "Gharana" with Toronto reflects a non-traditional and somewhat playful allusion to the original meaning, and we think it hints at the possible shape of things to come in the continual evolution of Hindustani music outside India. |
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http://www.pathcom.com/~ericp
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| | Hindustani Music - www.artindia.net |
| | A raga is a melodic scale, consisting of notes from the basic seven known as sa, re, ga, ma pa, dha, and ni. | | | Broadly speaking, Carnatic music developed in the south of the country, while Hindustani is indigenous to the north. | | | Of the two, Dhrupad is an older form and requires rigourous training in rhythm control as well as voice culture. |
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http://www.artindia.net/hindustani.html
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| | MusicalNirvana - Pt Bhimsen Joshi |
| | Pt Bhimsen Joshi is the most prominent Hindustani vocalist living today. | | | As the most well known of the many great desciples of Savai Gandharva, he along with Pt Mallikarjun Mansur, Smt Gangubai Hangal, Pt Kumar Ghandharva, Pt Basavaraj Rajguru has made Dharwad (in north Karnataka) home to Hindustani music. | | | This doyen of Kirana Gharana is very popular and has earned critical aclaim as well. |
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http://www.musicalnirvana.com/hindustani/bhimsenjoshi.html
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| | Musical Nirvana - Indian Classical Music |
| | The review concludes that On the whole, the book is a thought-provoking attempt. | | | Business Standard has a review of a new book by Deepak Raja, musicologist as well as a performer of sitar and surbahar of the Imdad Khan/Itawah Gharana, titled Hindustani Music : A Tradition in Transition (ISBN : 8124603200). | | | This despite the recent thaw in Indo- Pakistan relations. |
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http://www.musicalnirvana.com
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| | The North Indian System of Music (Hindustani Hindusthani, Sangeet) |
| | Although this is the usual view, there are reasons to think that this is an over-simplification | | | There are a number of musical instruments that we associate with Hindustani sangeet. | | | Other less well known instruments are the sarod, sarangi and a host of others. |
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http://chandrakantha.com/articles/indian_music/hindustani_sangeet.html
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| | Hindustani |
| | Hindustani adj : of or relating to or characteristic of Hindustan or its people or language n 1: a native or inhabitant of Hindustan or India [syn: Hindu, Hindoo] 2: a form of Hindi spoken around Delhi [syn: Hindoostani, Hindostani] | | | The Raga Guide: Survey of 74 Hindustani Ragas [BOX SET] |
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http://dictionaries.cc/Hindustani
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| | Raja Hindustani burdens Dharmesh Darshan |
| | I don’t make casting decisions on such bases. | | | I didn’t feel the same while making Lootere, Dhadkan or Raja Hindustani. | | | In any case, if you look back, when Aamir was signed up for Raja Hindustani right after Parampara, he wasn’t at the peak of his career. |
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http://web.mid-day.com/hitlist/2005/february/104296.htm
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| | About Santanu Bandyopadhyay-- the classical vocalist. |
| | As a child he spent hours at riaz (practise) to attain standards that the stalwarts in his family had set. | | | At the young age Santanu received careful training in Hindusthani classical music from his late grandfather and father.dedicated to music,Santanu consciously balanced his life and academics.He graduated from Calcutta University with Physics Honours in 1980.Earned a first class first in Vocal Music (Khayal) from Rabindra Bharaty University. | | | Today, Santanu Bandyopadhyay, the hindustani classical vocalist directly represent the fifth generation of Vishnupore Gharana. |
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http://www.santanubanerjee.com/bio.html
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| | Raja Hindustani |
| | Karisma lives with her loving and very wealthy father and her not so loving stepmother (Archana Puran Singh) whom is intent on getting Karisma out of her husband’s will. | | | On first look, Raja slowly drinks her in like a thick milkshake and is soon head over heels himself. | | | The opportunity comes when Karisma visits a small provincial town and slowly falls for the local taxi driver/orphan who has named himself Raja Hindustani. |
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http://www.brns.com/bollywood/pages1/bolly41.html
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| | MusicMoz - Styles: Classical: Oriental: Indian: Hindustani: Links |
| | Ali Akbar College of Music - Instructions given by ustad ali akbar khan and pandit swapan chaudhury in the classical music of north india. | | | Rajguru Smruti Trust - A public charitable trust established in memory of the great exponent of Hindustani Music, Pandit Basavaraj Rajguru. | | | ArtIndia - Hindustani Music - Contains listing of classical musicians sorted by their preferred instruments. |
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http://musicmoz.org/Styles/Classical/Oriental/Indian/Hindustani/Links
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| | Khoj - Directory for hindustani |
| | Its mission is to introduce,develop and innovate in the different facets of music-vocal and instrumental. | | | The Academy undertakes education,training and all related activities,programmes and projects for the promotion of Hindustani style of Indian classical and light classical music. | | | Details and links of Hindustani classical musical instrument,tabla. |
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http://khoj.com/Education_and_Career/Education/Educational_Resources/Arts_and_Sciences/Performing_Arts/Music/Indian/Classical/Hindustani
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| | Home Page of Madhup Mudgal at www.artindia.net |
| | Madhup has also had the good fortune of coming under the tutelage of great maestros of Hindustani music such as Shri Vasant Thakar, Pandit Jasraj and the celebrated Kumar Gandharva. | | | Mudhup Mudgal holds an M.Phil Degree from the University of Delhi for his research in the structure of Khayal. | | | The Maudgalya family has been immersed in music education, research and performances for over five decades. |
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http://artindia.net/madhup.html
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| | Hindustani Music Tanpura |
| | The notes were be played in ascending order by first closing all the holes, and then opening each in quick succession. | | | The Hindustani sangit bansuri is longer and permits two octaves. | | | The seven holes of the older models in Hindustani music permitted each note of the saptak to be played through a separate hole. |
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http://www.eindiaplus.com/musicanddance/Htmlfiles/bansuri.html
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| | The Beatles Biography - From Wikipedia, the free encyclopedia. |
| | Harrison retained Western musical forms in his later compositions, where he emerged as a significant pop composer in his own right, occasionally reprising major themes that indicated his new relationship with Hindustani music and the Hindu god Krishna. | | | A result of his long and continued collaboration with Sri Ravi Shankar, a famous Hindustani musician, many of his following compositions were based on Hindustani forms, most notably "Love You To" (1966), "Within You, Without You" (1967), and "The Inner Light" (1968). | | | His later guitar style, while not displaying the virtuosity of Jimi Hendrix and Eric Clapton, became distinctive with its use of clear melodic lines and subtle fills ("Something" [1969], "Let It Be" [1970]) in contrast to the increasingly distorted riffs and rapid-fire guitar solo work of his contemporaries. |
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http://www.beatles-mania.com/bio.html
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| | Hawaiian Guitar Classical indian Music by G.Jaywant Naidu |
| | Pt.Ravi Shankar and Ustad Alla Rakha took Hindustani music around the world.The performance of Hindustani classical music on Hawaiian Guitar was first popularised by Sri Nalin Mazumdar,Sri Batuk Nandi and Sri Brij Bhushan Kabra in India.Later on came Vishwa Mohan Bhatt on his Mohan Veena. | | | Young artistes like Debashish Bhattacharya,Kamala Shankar& Barun Kumar Paul are popularising this instrument.. |
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http://www.homestead.com/raga/music.html
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| | The Weblog: Single Post View |
| | As many of you know, we have had a fairly persistent troll here at The Weblog for the last couple months. | | | Being the ruthless hegemon that I am, and given my penchant for forming relationships with other bloggers only with an eye to their potential benefit to my blog, I "poached" an enterprising troll by the nom de troll of Hindustani from BreyLog. | | | I formally welcomed him as a commenter, hoping for "a long and productive blogger/troll relationship." |
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http://www.adamkotsko.com/weblog/2004/08/internet-trolling-virtual-symposium.html
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| | the Legacy of Pandit Pannalal Ghosh |
| | His music was steeped in devotion and had an intangible ethereal element, immense emotional depth and was infused with spiritual profundity. | | | He created and popularized several new ragas including Deepawali, Pushpachandrika, Hansanarayani, Chandramauli, Panchavati and Nupurdwani, as well as multitudinous vilambit and drut compositions in many well known ragas. | | | In addition to introducing the larger instrument, Pannalal Ghosh is credited with inventing the bass bansuri and introducing the six-stringed tanpura, high-pitched tanpuri and the surpeti or sruti box into Hindustani music. |
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http://music.calarts.edu/~bansuri/pannalal.html
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